The latest episode of the Writing and Publishing podcast examines the difference between an inspired first draft and a compelling final draft.
Lately, I’ve been listening to a lot of podcasts while spring cleaning. I enjoy the format so much (particularly a podcast called The Heart of Organizing) that I decided to start my own podcast. It’s now live, and the first episode is How to Find a Literary Agent. In this 8-minute podcast, I talk about 5 things you can do to find the right literary agent to represent your book (hint: it does not involve giant indexes listing thousands of names and addresses).
Why is it so important to work with a good literary agent?
Signing on with a literary agent is the first step toward publication with a major publisher. Most publishers won’t even glance at unagented submissions. Your agent will be your partner in all things publishing. She’ll get your book out to the right editors, negotiate your contracts, and serve as your liaison for foreign rights.
She’ll handle all sorts of rights for each book–audio, book club editions, reprints, and more. I’ve been with my own agent since 2004, and I feel so fortunate to have found her. Without her, I would have had a very different (and I imagine far less satisfying) writing career.
Go here to listen to the podcast. If you like what you hear, you can click “follow” on the podcast page, so you’ll know when new episodes are added.
As always, happy writing!
The Council of Literary Magazines and Presses has announced the shortlist for the 2014 Firecracker Awards, which celebrates small press and independently published books. Here are the finalists in fiction and creative nonfiction:
The Empathy Exams by Leslie Jamison (Graywolf Press)
Loitering by Charles D’Ambrosio (Tin House Books)
The Other Side by Lacy M. Johnson (Tin House Books)
Self-Portrait in Green by Marie NDiaye (Two Lines Press)
Surrendering Oz by Bonnie Friedman (Etruscan Press)
Hum by Michelle Richmond (FC2, an imprint of University of Alabama Press)
List by Matthew Roberson (FC2, an imprint of University of Alabama Press)
Search for Heinrich Schlögel by Martha Baillie (Tin House Books)
Sister Golden Hair by Darcey Steinke (Tin House Books)
Song of the Shank by Jeffery Renard Allen (Graywolf Press)
Songs for the Deaf by John Henry Fleming (Burrow Press)
Street of Thieves by Mathias Énard (Open Letter)
The Family Cannon by Halina Duraj (Augury Books)
The Good Life Elsewhere by Vladimir Lorchenkov (New Vessel Press)
Us Conductors by Sean Michaels (Tin House Books)
I’m delighted that Hum received a nod, along with another FC2 title, Matthew Roberson’s List. View the complete shortlist for the Firecracker Awards here.
One of my favorite sources for design inspiration is Design Taxi. Today, Design Taxi shared images of Lester, a “3D printed book holder” by designers Ludwig Mattsson and Simon Eriksson (leave it to the Scandinavians to be the arbiters of cool). I was confused by the description at first. Does 3D printed book holder mean that it is for the printed book, or that it was printed with a 3D printer? Both! Newfangled gadgets for the old-fashioned reader.LOVE
— TAXI (@designtaxi) March 9, 2015
The Room, by Jonas Karlsson
A delightfully strange, unflinchingly surreal novel that brings to mind Kafka and Hrabal. When a narcissistic government worker named Bjorn discovers a secret room, his co-workers, who do not believe the room exists, ostracize him. While in the room, however, Bjorn does his best work, making himself indispensable. The co-workers who despise him come to resentfully rely on him to keep their entire department relevant. A slim, tricky, maddeningly amusing novel that leaves many questions unanswered. Of all the books I’ve read this year, this is the one that most often comes to mind at random moments.
Crown Publishing, Feb. 2015
There Must Be Some Mistake, by Frederick Barthelme
Forgetful Bay reminds me a lot of the Gulf Coast, where I grew up. No one does Gulf Coast torpor–the heat and humidity and wrenching boredom of it–quite like Barthelme. Wallace Webster lives a quiet life, observing the strange goings-on and frequent deaths in this backwater community with a sharp eye and quick wit. I was reminded of the short story “The School,” by Barthelme’s brother Donald, in which a series of small animals dies, leaving a group of innocent children wondering, “Is death that which gives meaning to life?” As with “The School,” the crimes that befall Forgetful Bay become increasingly difficult to ignore.
Barthelme draws Webster’s relationships with the various women in his life–daughter, co-worker, and occasional lover–with tenderness and complexity. A wonderful novel by one of my favorite writers, whose work proves, again and again, that you don’t need a lot of pages to cover a whole lot of emotional ground.