Litbits: excerpts from good books

Divisadero, by Michael Ondaatje

I’ve just finished reading the ARC of Michael Ondaatje’s extraordinary new novel Divisadero, which will be published in May. The book begins with a harrowing familial violence on a farm in Petaluma and ends in another country at another time. San Francisco residents will recognize the title, which is the street where the novel’s overriding consciousness, Anna, lives as an adult. I say “overriding consciousness” because, while Anna narrates some portions of the novel, there are also large swaths of omniscience, as well as points at which the omniscient narrator collides, unexpectedly, with Anna’s voice.

Years after the violence that shatters her family, Anna moves to France to temporarily inhabit the home of Lucien Seguro, a famous French poet. After a detailed and arresting account of the lives of Anna, her sister Claire, their father, and a cardsharp named Coop who was raised alongside the two girls, the novel’s focus shifts to Lucien: his upbringing in the French countryside, his affection for a neighbor woman, Marie-Neige, and her husband Roman, his childhood. Slowly and brilliantly, these stories intersect, held together by a man named Rafael, who becomes Anna’s lover in France.

This is a story about orphans, and about events that drastically alter the landscape of family. It is a patient, gentle book. Ondaatje writes truthfully and unflinchingly about desire. One of the most memorable aspects of the novel is his portrayal of parent-child relationships, particularly between mothers and sons. …

the feel of the pen

Empires fall, votes are accorded, but to those people writing in the circular room it is the feel of the pen between their fingers that matters most.
E.M. Forster, Aspects of the Novel

Writing exercise – characterization

Here is one of the most economical sentence pairings I’ve come across in a while: He couldn’t remember his wife clearly–only the hats she wore. How surprised she would be at hearing from him after this long while; there had been one letter written by each of them since the boy died. Graham Greene, The Power and the Glory

The exercise:
Compose two sentences in which a great deal is revealed about a character. Like the sentences above, yours should suggest something fundamental about the character’s inner life and/or relationships, as well as revealing something significant about his past.

Get more fiction writing prompts here.

graham greene on the importance of superficiality

“So much in writing depends on the superficiality of one’s days. One may be preoccupied with shopping and income tax returns and chance conversations, but the stream of the unconscious continues to flow undisturbed, solving problems, planning ahead: one sits down sterile and dispirited at the desk, and suddenly the words come as though from the air: the situations that seemed blocked in a hopeless impasse move forward: the work has been done while one slept or shopped or talked with friends.”
~Graham Greene, The End of the Affair