Category: On Writing

What writers can learn from late, great music man John Carter

What writers can learn from late, great music man John Carter

In July’s obit section, WORD magazine remembers John Carter, songwriter, producer, and A&R man extraordinaire, who “was instrumental in the careers of and a passionate supporter of Bob Seger, The Motels, Sammy Hagar, Melissa Etheridge, Tori Amos, David and David, and … Tina Turner.”

WORD quotes an interview for industry website Taxi, in which Carter said that “the one thing he had learned was that over 70 percent of hit records have titles containing nouns.”

All kinds of songs become successful, and therefore can be held up as examples to encourage someone that what they’re doing is right, but I think, in general, it’s an English lesson. Lyrics are important It’s about a story. It’s about a great title. The title should have a big noun in it. Some of the best songs are even proper nouns. Nouns, baby, nouns!”

If you think about it, the same principle applies to good writing of any kind. One, “it’s about a story.” And two, it’s specific: proper nouns are nothing if not specific. It’s the very old, very true creative writing 101 lesson: you get to the universal by way of the personal. You reach many by focusing on the struggle of one. It’s easy to find great books with a proper noun in the title:

Ulysses
Lolita
Portnoy’s Complaint
The Great Gatsby
Jane Eyre
Madame Bovary

Okay, you get the picture. Of course, this is not to say it has to be a proper noun. I can think of equally exciting books that have only improper nouns (I don’t think that’s a thing, really, but I like the sound of it) in the title.

To Kill a Mockingbird
A Portrait of the Artist as a Young Man
The Bluest Eye
Things Fall Apart (what can be less specific than things?)
Brave New World

You’ll note, however, that all of the books in the latter category get very specific very quickly, with characters whose personal and unique struggles have a universal quality. Scout moves us not because she’s archetypal, but because she is a very specific child at a very specific time and place, engaged in a universal struggle played out in the tragedy of one man and one town.

and all the ships at sea

and all the ships at sea

I wanted to share an interesting email I received last week from a reader:

I’m a Marine stationed over at Camp Pendleton in California. While I was on deployment, I found The Year Of Fog in the small ship library…I was a part of an expeditionary unit sitting off the coast of Burma last year after their country was ravaged by a natural disaster. I mean this in the greatest sincerity when I say that reading and finishing your story was truly all I looked forward to the 2 months I spent sitting on a ship, counting the days until I could come home. I’m not sure what it was, but I found myself very sympathetic and attached to the main character. I almost wish the story hadn’t ended. Or at least had ended the way I was expecting. Again, thank you for your story.

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Makeshift Instructions for Vigilant Girls

Makeshift Instructions for Vigilant Girls

Erika Meitner is one kick-ass poet. Imagine my excitement at discovering that she has a new book out! It’s called Makeshift Instructions for Vigilant Girls , and here’s what Daisy Fried has to say:

These cool, hot poems about women and girls in danger and on the prowl, coming of age and being of age, are full of startling detail and vivid setting. Meitner’s range, wit, compassion and her
alertness to the moments where domestic and collective experience intersect, make these poems memorable. This book is a seriously good read.

Year of Fog Author Talk (Video)

Year of Fog Author Talk (Video)

Thanks to Carol O’Hare, the Friends of the Morgan Hill Library, and the Association of American University Women for hosting this Silicon Valley Reads event at Morgan Hill Public Library. Thanks to Marty Cheek for videotaping the event. This video includes a discussion of The Year of Fog, along with a Q&A.