Category: personal

Wandering San Francisco with Paul Auster, plus Love in a Ten-Year Key

Wandering San Francisco with Paul Auster, plus Love in a Ten-Year Key

Has it really been ten years since I walked down the aisle at the little chapel in Yosemite, tripped on my dress, married that boy I met in Arkansas, went a bit too far with the tequila, and spent all night in our room at the Wawona Hotel searching for ghosts in the closet? It has!

Tonight, to celebrate, we’ll spend the night in the city and have dinner at Fleur de Lys. The last time we were at Fleur de Lys was a warm September evening a little more than two years ago, right after I’d interviewed Paul Auster at the Herbst Theatre for City Arts and Lectures. It was a rather surreal evening, as I have long been an achingly devoted fan of Mr. Auster, author of The New York Trilogy and many other wonderful works of fiction. The Gracious Author and I drank single-malt Scotch well into the wee hours, while my husband drank his usual, a single Bailey’s with milk, because my husband prefers his cocktails the way he prefers his entrees: as close to dessert as possible. Mr. Auster told some amazing stories. Some of them, I thought I might have read before in his books, but then I wondered if perhaps his books were so infused with his voice, his own voice so inseparable from his books, that I only felt I’d heard the stories before, when in fact I was hearing them for the first time.

We also talked politics for much of the evening, as the economy seemed on the brink of utter collapse and the presidential election was only a couple of months away. We talked a bit about movies, and houses, and Brooklyn, and Curious George, and an obscure Nathaniel Hawthorne journal entitled “Twenty Days With Julian and Little Bunny Papa.” I believe Slovenia might have been mentioned, for reasons I can’t recall.

Afterward, we went off in search of my Jeep, which I had characteristically misplaced. We walked many blocks and kept doubling back, over and over again, an endless loop. As we were wandering the deserted streets, I kept thinking of that book by Ian McEwan, The Comfort of Strangers, or more precisely the film version of the book, adapted by Harold Pinter, in which Mary (Natasha Richardson) and Colin (Rupert Everett) get lost in Venice, and are rescued by an enigmatic and charming gentleman named Robert (Christopher Walken), who takes them back to his home and tells them some brilliant and terrifying stories. In Pinter’s film, as in McEwan’s novel, things do not end well for the tourists. Of course, this was San Francisco, not Venice, and I was not a tourist but a resident, and I should not have been so hopelessly lost.

Eventually we found the Jeep. It is now, as it was then, an old car, and a beloved one, and it had spent a great many days at the beach with me and my toddler, and it smelled accordingly, as if someone might have put a bucket of seaweed and sand crabs in there at some point and sort of forgotten about it. In such a state we transported Mr. Auster back to the hotel, and he, in his graciousness, swore that he could not smell a thing. And on the way home my husband and I remembered a story of a smelly car, in which the smell turns out to be blood, a story set in Albania. The story was written by my husband long before he was my husband, and I happened to have read it in a small literary magazine several months before he walked into a dismal University of Arkansas classroom in his furry Giraudon boots and changed my mind (I was, at the time, otherwise betrothed) and my life. Amen.

Time. I can’t believe it was fifteen years ago that I met that guy with a curl smack dab in the middle of his forehead. Ten years ago that I tripped gracelessly down the aisle at the chapel in Yosemite, to be wedded by one kindly Reverend John Paris, who, for reasons I have yet to comprehend, kept saying that Jesus was like a fizzy tablet, and marriage was a glass of water, and you just had to drop that tablet in the water and see what happened. I know I remember it right, because when he was saying all that stuff I had not yet had any tequila. My husband had not yet had a Baileys with milk, and he remembers it the same way.

Not long ago I found a piece of notebook paper on which I had written our wedding budget. We paid $150 to rent the Yosemite Community Church from 4:00 to 5:30 p.m. on January 5; $50 for Reverend Paris; $500 to reserve the reception room at the Wawona Hotel. It was a very cheap wedding, as weddings go. We didn’t have much in material terms; we didn’t think we needed it. We were kids and now we’re not. Now we have more stuff, and more responsibility, and a kid of our own, and the man I married still has a curl smack dab in the middle of his forehead.

He is to this day the funniest guy I’ve ever met, with (hands down) the best hair. Happy Anniversary, Kevin. Here’s to ten more years.

Below: apartment in the Marais district of Paris, 2008, on a trip to meet my French editor and translator.

San Francisco’s Wordslinging Women

San Francisco’s Wordslinging Women

Thanks to Mia Lipman for this nice write-up in San Francisco Magazine! In the magazine’s cover story, “A Year in Preview,” Lipman writes that the San Francisco “lit scene gets much of its oomph from wordslinging women, including a trio of established authors with distinctly local voices and new books out in 2011. All three have aged gracefully into midcareer success without the boon of a genre-defying debut or an Oprah pick.”

The authors are Ann Packer (The Dive From Clausen’s Pier), whose story collection Swim Back to Me will be released this year; Carol Edgardian, co-editor of Narrative Magazine and author of the forthcoming novel Stages of Amazement; and yours truly.

“And the kid sister in the mix, Michelle Richmond, who just joined the 40-plus club with an international bestseller under her belt (yes, it’s true, I did just turn 40, but I wasn’t quite ready to see it in print!), will start accepting submissions this month for her new indie press, Fiction Attic. We’ll also see her fourth novel, California Street, land in the fall… “It imagines an outlandish circumstance that’s not really that far-fetched,” Richmond says.

Well, yes, I do have a new book coming out in Fall 2011. Finally! While I’m still keeping hush-hush on the details, I can say that it’s been tremendously fun to write, if a bit daunting (considering the 6 months of research that I ultimately threw out with the bathwater). Like my previous two books, it takes much of its inspiration from location. Although this time, I’ve widened my lens to include a broader California backdrop.

Readings for Writers

Readings for Writers

The Kenyon Review has just published a new anthology of work culled from the magazine over the past seventy years. Editor David Lynn writes:

Readings for Writers is a very different creature from your usual anthology…A different principle of selection comes into play: choosing stories, poems, and essays from across the decades to provoke lively responses from writers today, to inspire and challenge…the selections here are intended to inspire active response—pen to paper, fingers to keyboard.”

All in all, it looks like a terrific volume for teachers of writing, not to mention anyone who is engaged in the practice of writing short stories, essays, and poems. Contributions are arranged chronologically, beginning with Randall Jarrell, Allen Tate, and Dylan Thomas–all published in the magazine’s first year, 1939–and ending with Cara Blue Adams, whose essay appeared in 2009. Along the way areworks by the likes of Flannery O’Connor, Thomas Pynchon, Sylvia Plath, Nadine Gordimer, V.S. Naipul, Don DeLillo, Robert Haas, Annie Dillard, Billy Collins, Virgil Suarez, Czeslaw Milosz, Pablo Neruda, W.S. Merwin, and many others–82 selections in all.

I was browsing the contents page when, quite by surprise, I came upon “A Life in Pods,” an essay of mine which appeared in the magazine in 2008. I’m thrilled to be included in such amazing company, and can’t wait to get my copy and dig in.

You can order the issue here.

Two From the World of Ink

Two From the World of Ink

I met Georges and Anne Borchardt at Sewanee Writers’ Conference in 2003. The couple co-founded their literary agency in 1967, and are known for introducing American audiences to the work of Roland Barthes, Samuel Beckett, Pierre Bourdieu, Marguerite Duras, Franz Fanon, Michel Foucault, Eugene Ionesco, Jacques Lacan, Alain Robbe-Grillet, Jean-Paul Sartre, and Elie Wiesel.

When we met, I’d just had my first novel published with San Francisco independent MacAdam/Cage (sans agent) and was looking for representation. Jill McCorkle, a faculty member at the conference, read a chapter of the novel I was working on and set up a meeting. Many of the other fellows were going spelunking, but I skipped the cave trip and met the Borchardts on the little patio behind the apartment where they were staying. We talked for a while–about books, writing, my background and interests, my novel-in-progress. I immediately felt a connection with them. I liked their calmness, their magnetic presence. One had the feeling of being in the company of extraordinarily sharp and sensitive literary minds

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