Literary suspense and psychological thriller author
Categories: On Writing

What writers can learn from late, great music man John Carter

In July’s obit section, WORD magazine remembers John Carter, songwriter, producer, and A&R man extraordinaire, who “was instrumental in the careers of and a passionate supporter of Bob Seger, The Motels, Sammy Hagar, Melissa Etheridge, Tori Amos, David and David, and … Tina Turner.”

WORD quotes an interview for industry website Taxi, in which Carter said that “the one thing he had learned was that over 70 percent of hit records have titles containing nouns.”

All kinds of songs become successful, and therefore can be held up as examples to encourage someone that what they’re doing is right, but I think, in general, it’s an English lesson. Lyrics are important It’s about a story. It’s about a great title. The title should have a big noun in it. Some of the best songs are even proper nouns. Nouns, baby, nouns!”

If you think about it, the same principle applies to good writing of any kind. One, “it’s about a story.” And two, it’s specific: proper nouns are nothing if not specific. It’s the very old, very true creative writing 101 lesson: you get to the universal by way of the personal. You reach many by focusing on the struggle of one. It’s easy to find great books with a proper noun in the title:

Ulysses
Lolita
Portnoy’s Complaint
The Great Gatsby
Jane Eyre
Madame Bovary

Okay, you get the picture. Of course, this is not to say it has to be a proper noun. I can think of equally exciting books that have only improper nouns (I don’t think that’s a thing, really, but I like the sound of it) in the title.

To Kill a Mockingbird
A Portrait of the Artist as a Young Man
The Bluest Eye
Things Fall Apart (what can be less specific than things?)
Brave New World

You’ll note, however, that all of the books in the latter category get very specific very quickly, with characters whose personal and unique struggles have a universal quality. Scout moves us not because she’s archetypal, but because she is a very specific child at a very specific time and place, engaged in a universal struggle played out in the tragedy of one man and one town.

Michelle Richmond

Michelle Richmond is the New York Times and Sunday Times bestselling author of The Marriage Pact, Golden State, The Year of Fog, No One You Know, Dream of the Blue Room, Hum, and The Girl in the Fall-Away Dress. Her books have been published in 30 languages. A native of Alabama, she makes her home in Northern California and Paris.

Share
Published by
Michelle Richmond

Recent Posts

By the Time You Read This

a serial novella By the time you read this I will be unreachable. I will…

12 months ago

Notes on a Marriage

by way of Joan Didion Not long ago I told my husband, “The book I…

12 months ago

Tenderest

an audio story, exclusive to subscribers I recently published an audio story for subscribers to…

1 year ago

November Notes

You'll find a brief and mostly true story, Les Oeufs: A Mystery on Quai de Grenelle,…

1 year ago

Five Things I Love (& 5 I Can Do Without)

Cafe Kitsune Paris, with book from Librarie Galignani When I go through a dry spell…

2 years ago

The Wonder Test discussion questions

Is your book club reading THE WONDER TEST? Here are a few questions to kick…

3 years ago

Join the newsletter to stay in the loop